"Davis makes apt analogies between the materials and techniques of traditional painting and the digital tools of graphic imaging. His recourse to modeling, texturing, and rendering software with a mouse and a keyboard requires the same artistic decision making as a traditional painter's deployment of conventional perspective, modeling, brushwork, and finishing of the painted surface. If the comparison breaks down on formal grounds, it breaks in favor of the digital image. Its technology enables the artist to realize desired qualities of color and light at a level far superior to what can be achieved with hand-applied techniques and organic, volatile, and perishable mediums."

— Richard Tobin, 2008